I'm really excited to be part of the How the Light Gets In festival, happening alongside the Hay-on-Wye festival, in, as you might expect, Hay-on-Wye.

(I love that it's called that. I love that song, and the consolation of that idea).
I'm on three panels, and they are:
Tuesday 5th June
2.30pm New Heroes - a reconsideration of what the hero means for us today and for the future
Wednesday 6th June
10.30am State of Innovation - the role of the state in commissioning creativity and whether it works
2.30pm Imagining the Metropolis - visions of the city
The New Heroes one doesn't seem to show up on the page, but it is going to happen, I swear! My job will be to say, "excuse me, but what about HEROINES?" a lot. Peter Tatchell will also be there, his job will be to be A Hero.
Hope to see you there. I want to say more about heroes and heroines, villains and villainesses, but I have recently moved house and am thus dependent on the unco-operative wifi of a library that I think might be about to close.
I'll be back soon.
The full programme is here...
...WAIT WHAT? I'M ON A PANEL WITH GEORGE R R MARTIN?
But I am as a tiny baby in the ways of writing incredibly long books that you can't produce as fast as you want compared with G R R Martin!
I can't complain about what a slog it is and how you need to have a plan and how it isn't your fault that you had to kill all those people besides George R R Martin!
Maybe he has special rum.
All right, I've spent a little time running around the flat, and now I'm back. On with the post, I guess.
See you there, I hope!
While the history jokes and pictures of animals with silly hats were impressive, and while I VERY much appreciate Cara Murphy plugging my book on the Arthur C Clarke Award "guess the shortlist" post, ultimately I cannot choose between 's cute drawing of herself holding Savage City (on New Roman Cursive background) and Glen Mehn's adorable list.
Congratulations! Let me know your address and the book you want, and it will soon be yours!
The Kitschies held a Gothic Evening at Blackwells the other day, which, apart from anything else, obviously provided an excuse for dressing up, which is not something I like to miss.
Besides, there would be brilliant authors being brilliant and, completely unrelatedly, free rum.
And Tanith Lee.
I loved Tanith Lee during my teens (and badly want to catch up with her works for adults). I have a very badly abused copy of Prince on a White Horse which you should read because it is hilarious. But I had no idea until quite recently that she was 1) English and 2) living in freaking Hastings. I only found that out when I was about to move AWAY from Hastings. And now she was here in Blackwells, all small and pale with copious, artfully styled grey hair, and huge jade-green eyes which match the huge green gems on her fingers and the various greens she has painted her long nails. This is exactly what Tanith Lee ought to look like.
And so, after my flatmate Camille prodded me past my shyness in approaching her, this happened.
Sophia: Oh, wow, you're Tanith Lee, oh goodness. I'd like to fangirl you please?
TANITH LEE: THAT JAWLINE!!!
Sophia: ...?
TANITH LEE: YOU ARE BEAUTIFUL. WHEN YOU ARE 100 YOU WILL STILL HAVE THAT BONE STRUCTURE.
Sophia: Well, this is not what I expected from this encounter, but that does not mean I'm not okay with it.
[During this, Flatmate Camille is hovering somewhere behind me. Suddenly Tanith Lee's vatic, pale green focus is upon her]
TANITH LEE: YOU.
Camille: Hello.
TANITH LEE: YOU ARE BEAUTIFUL. YOU MUST READ MY BOOK. THERE IS AN AFRICAN GODDESS IN IT. DO YOU HAVE AFRICAN BLOOD?
[Camille does indeed have African blood and this is fairly obvious]
Sophia: Shit, is this okay?
Camille: She's calling me pretty, it's fine.
TANITH LEE: YOU ARE LIKE A GODDESS. TURN YOUR HEAD. YES, LOOK AT YOUR NECK. YOU ARE AN ARISTOCRAT! [to me] AND YOU ARE A FRENCH BLONDE FEMME FATALE.
Camille and Sophia: This can go on as long as necessary, really.
It did in fact go on for quite a long while. We have no complaints. So yes. I copiously congratulate Anne and Jared for organising a wonderful event, but I really have nothing else to say about the Gothic or anything else. (My novelette, Not The End of the World is sort of WWII gothic, I guess, though). We got Tanith Lee'd. That dominates your memory of an evening.
Except, several of my existing followers turned wide and tearful eyes upon me and asked WHAT, SAVE YOUR SCINTILLATING WEB PRESENCE, DO WE GET FOR OUR YEARS/MONTHS/DAYS OF WEB-LOYALTY???
So FINE. Here is your chance. Perform a Sophia McDougall Pleasing Stunt and if I am sufficiently pleased, I will give you the book (by me) of your choice, signed and drawn on and whatever. You have until midnight, March 11th. Pretty much the same deal as here, you might want to check it out for inspiration.
PLEASE ME AND MAKE ME WANT TO GIVE YOU A BOOK. You can please me by promoting my book in some way, you can also try to please me by telling me a joke or posting a picture of you gurning, if you're really good at it. You must either comment here or link me to your SOPHIA-MCDOUGALL PLEASING STUNT on twitter.
I will not be pleased by illegality or grossness, otherwise you make the rules. I will send the person who strikes me as the most delightful a unique signed, personalised book.
And if there are no McDougall-Pleasing Stunts, then it is I who will turn wide and tearful eyes on you and then where will you be?
Hello all. Some of you are new people! Settle in, new people, make yourselves at home!
I knew in theory that the post about the Weekender might get more attention than I was used to. But I didn’t know it would and the reality of a thing is always pretty different from the expectation anyway.
As it was -- Baby’s first internet kerfuffle!
Some of you have left great comments on the original post that are various flavours of wise/thoughtful/supportive/wanting to know more.
I want to thank you for them. I would normally go through and reply to all of them and I just want to ask you to forgive me for the fact that this time, I’m not going to.
The fact is,I’m tired, I’m behind on work, I have a stinker of a cold that’s also making me throw up for some reason, and I’m still trying to bounce back from various fun things like a death in the family that did a number on my brain over Christmas. I went through a long, and I think, ultimately productive twitter and email exchange with an SFX team member before Dave Bradley stepped in, and now I don’t feel I can afford to outlay any more energy on this. Of course, no one needs my permission to keep talking about this wherever you like. But I don’t think I’m going to be part of the discussion any more. Not, at least, until we’re getting closer to the next Weekender. I said what I wanted to say, it did get listened to, and now I’d really like to get on with this book I’m supposed to be writing.
(And to stop throwing up).
Oh – one more thing I am going to do, and urge you to do, is to write to Chic Festivals about the dancer situation. info@chicfestivals.com and lisa@chictalent.com are the email addresses Lizzie Barrett of the British Fantasy Society has been using. As I understand it, Chic Festivals work with, rather than for, SFX – I guess as partners? – in making the event happen. So they’re not being paid by SFX, and they send those half-naked stiltwalking girls to all their events. I’m told that SFX has raised concerns about them before, and Chic Festivals hasn’t listened. I’m not saying this lets SFX off the hook – the event bears their name, after all – but still, these are the people who think silent half-naked women and no silent, half-naked men at SFX Weekender is good idea, and going directly to the source of the problematic entertainment may be a useful next step.
-------
So here's the thing: I am sorry about the male:female imbalance on the panels. It's of course more to do with oversight than discrimination, although I naturally appreciate that's no kind of answer and we should have taken more care on this issue. Organising the Weekender is a total headache and some of what Paul [Cornell] alludes to is true - in most cases, people were on panels because their publishers asked us to put them there. A lot of our planning is led by who publishers tell us who they're bringing along. I suspect what we are guilty of is passivity in not pushing for more. To the best of my knowledge, I think I was able to find an opportunity for every female guest who contacted me directly in advance to ask if they could help; some contributors like Juliet E McKenna, Karen Grover and Jaine Fenn were not proposed by their publishers but were invited onto panels after conversations with us. We tried hard to make space for people who stepped forward and approached us, but we realise we should be more proactive. Danie Ware we know very well but I understood that her primary responsibility was on the Forbidden Planet stand, and she described her event to me as being very successful. In one instance, I admit China Miéville pointed out there was a panel with no women on it at all (due to swaps and cancellations) and he graciously agreed to step down so we could rearrange - ridiculously we hadn't noticed since by that late point the panels had become logistical puzzles rather than anything else, we were gutted when China pointed it out and of course re-planned the panel.
Should SFX have done more? Yes. Will SFX do more next time? Yes, we will approach it differently. I thank you all for your incredible patience with us as we stumble year on year towards something better. My email is david.bradley@futurenet.com if anybody wants to contact me directly with feedback and suggestions.
I stand by my overall point that when there are numerous female writers available, not even to get to 20% female authors speaking while maintaining 100% female silent half-nude dancers and stilt-walkers, isn't good enough.
There’s going to be a hefty ‘but’ dominating this post, so let’s start by saying I had a great time at the SFX weekender. I made (I hope!) new friends. I played ridiculous games with old ones. I discovered how some of the biggest names in the industry are also the nicest, friendliest people you could ever hope to meet. There was joyous spontaneous Doctor Who line-dancing. There was copious booze. And I danced with Giant David Bowie, so my life is pretty much complete.
SFX deserves a tonne of credit for being awesome and imaginative enough to make all of that happen, for creating a little enclave of crazy wonder and excitement in the bleak Welsh winter.
But here’s the ‘but’.
I wrote to the SFX team expressing interest in appearing on panels. I did several pretty successful ones last Eastercon, so I think that was a reasonable thing to do? I wouldn’t mind the fact that I didn’t even get a reply if I hadn’t turned up to find that the writer panels featured, at my count, 46 male writers to 8 female writers, with two all male panels. (This is counting bloggers and SFX reviewers) I wasn’t the only female genre writer/blogger who was definitely available because she was there, by the way. There were also Suzanne McLeod, Alex Bell, Amanda Rutter, Kim Lakin-Smith, Fran Terminiello, Ro Smith (Ro and Fran write for The Girls’ Guide to Surviving the Apocalypse. Oh and talking of apocalypses, Anne Perry was there, she just co-edited an anthology on that very subject! There was a panel on the apocalypse in genre! It was one of the all-male ones!) Lou Morgan was there, as was Danie Ware. I think Elspeth Cooper may have been there or at least wanted to go-- if she didn’t make it in the end perhaps an invitation would have helped! And that isn’t anywhere near a comprehensive list -- these are just ones I happen to know about, and there were thousands of people there. I’m sure there were more. As for women writers who might have been able to attend if asked, who knows?
...And I wouldn’t mind that so much if I hadn’t watched a steward at a panel hand the mic only to male audience members, walking right past several women with their hands up, when the panel was thrown open to questions from the floor.
And I wouldn’t mind that so much if there hadn’t been all those half-naked women on stilts, (not cosplayers doing it for the thrills, entertainment paid for by the con) roaming around, and no half-naked men on stilts. And I wouldn’t mind that so much if there hadn’t also been girls wearing nothing but flashing lights strapped to their breasts and groins, dancing on the stage for the crowd’s edification at the final disco.
( All that put together, I minded quite a lot. )
Terrified Undaunted by reports the night temperature may drop to MINUS TWELVE, I repair to Prestatyn for the SFX Weekender. In a glorious display of herd mentality commonality of purpose, pretty much the whole of the science fiction industry will be there too. Why Prestatyn? Why a Pontins? These are question for the bards to ponder down the ages. What will we do there? Well, mostly sit around, drink, talk shop, establish whether the Doctor or River Tam would win in a fight, watch the ladies in gold spandex on stilts and the animatronic trolls pass us by, and posibly desend into cannibalism. See you there! Or if you’re not coming, pray for us.
I will be the one in the big pink coat. In usual circumstances, I tend to feel that these days I am a little old and sensible for the big pink coat, but thse are not usual circumstances and the big pink coat is ankle length.